I've been experimenting with making paint from natural pigments. I've purchased dried pigment from several sources:
Natural Earth Paint,
Natural Pigments,
The Art Treehouse, but I wanted to try making paint from rocks I pick up, such as this stone I found on a hike in the woods behind my home.
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Step One, Grinding. I break a chunk of it into small pieces with a hammer. This particular stone crumbled pretty easily, so it wasn't too much trouble. I grind it into a powder with a mortar and pestle that I only use for art supplies, never food. Here I added a little bit of water to make a paste, because I found it made the job easier.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-hv1ROAWk7dBlblaQV7w9ZA9wpUPnPaAieuP4NwWlM3_VOCOTJkUd0MVNSHZJs_0Cn3bprCwI4KwxvPObcE11IbTA2GE0RwPTuJZPF2UAVBHJL0x_W3wR-FP2lWsNFk37lCrnJbpO6INP/s200/IMG_6416.JPG) |
A rock I found in the woods behind my house |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdBlDO0oUUa4YuULhUxx8ABPYXoi23nOR3BUOh2OKvfG9dPAGaGAPp3pwEu9UoIKLdHJydkjFWtIFn5fEEO2GAJMuU_wtKE_2-KbZb5u7OGGlVwbz6lfUzs7N78b9aCRDILf0dmQ0nYVh7/s200/IMG_6432.JPG) |
Grinding with a mortar and pestle |
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Step Two, Levigation and washing. I stir the powder (or paste) in a container of water. Any organic matter will float, and I can pour it off. I top it off with water again, and stir it. I let it settle for 30 seconds or so while the heavier particles settle to the bottom. Only fine particles are still suspended in the water. I pour the water into another container, and let the fine particles settle, leaving clear water at the top. I pour off as much of this water as I can, without losing any of the fine pigment particles. I'll grind the heavier particles again, and repeat the process to get more usable pigment.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUwFZC23IPMrlHR7JFAt6COF1pmkzQZIeya_4B8xn_KRV_WovyGMHLcAw4YS8EvBzL5n_rN8gX4TWYdFMUh_xWnSMxr4B_BUkQjbBzLA8yTHltXckVEPNmSVIaNv6mEt3yJixq-cM6iWJA/s200/IMG_6421.JPG) |
Pigment stirred into water |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpqrEgRWmKuaremWn54h7YZBFnUA1BmgOp3GR07iUCsSnK-JWHPYEuFCm47Q5dzOk6WcT5v3rdX35cOSAOsNvaY7rpDGRH44ObxnBQtSVYd1EPUT4goElx2MWUKd7r0cxUqw5zID3AScTs/s200/IMG_6424.JPG) |
After 20-30 seconds settling time |
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Step Three, Drying. I pour whatever's left onto a piece of glass, in this case an old picture frame with silicone caulk around the edges from its days as my primary studio palette. I set the frame outside to allow the remaining water to evaporate, and then scrape the dry pigment into an empty container until I'm ready to use it.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfmshqFr8WZ4TQkELKomQy3iKguu-Nm4xX7Ujlpmid4sU9z6w7RFV06tDIVOMqXIFo7nVbURLt6xF0u632cf9lzdtBN8opRFf6khRKBtXYH-eH1SkdkV_2EokMW7wxh1dF_QDTyKeiWFPt/s200/IMG_6415.JPG) |
Pigment poured onto glass to dry |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFAzc3UyE6Hzl0HG0k1fJbQ9GCtjmye3K_AJk9cTnsWzGCeeF6FLQkKFsZ5S6QjjYYcXsO_niQ-EKM-KjkEydtZjJrSO24_9isctRyhME9ksKr8VA8lGCJBTNKOHZIR0qgh1XFzJ5Ynr3Z/s200/IMG_6417.JPG) |
Dried pigment |
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Step Four, Mixing. I pour the dry pigment onto a heavy piece of 1/4" glass (my studio palette) and mix it with a small amount of linseed or walnut oil using a palette knife at first, then a glass muller. It takes less oil than you'd think, so always add a little at a time.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipB1hiXLWpxtTQnHIOMhWD_Iov4OFkgTu9byymBj38a6SPWz5gJRv3m4ss5XoEic7qjJCr_ZQjXmrbnxaquSqGNZ8kK3xxL_acRHbK_j3XGmZrHLt4uH6M6jdidjvsFCwJHwV4xzCEKWuV/s200/IMG_6411.JPG) |
Mixing linseed oil into pigment |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqfkvWZh0FmOQCJVw0ltIm9QFyfEmLfNlGioH_3DVq7opGnNqJCDnl0Njepvb5YBUDvZ0-7GFhA94qriXfVT9RCvte-4Sb8xEnT5-cW1jiSnIzca-gwxZzn5MxhCGhFqrTxy7d4QtfgUs0/s200/IMG_6412.JPG) |
Using a muller to mix paint thoroughly |
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Step Five, Tubing and Testing. I Fill an empty tube of paint and test it out. Here is the color straight out of the tube, and mixed with white. It reminds me of a Terra Rosa paint, which is logical, since the original rock was pink.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEglXyeb2BGqVGvuR0rMdt6V0K0K0WjFKRjakKe8xpamSQAkx83rm2UATovZoTPk_29IedbyC8Podbjfl46OXqeOFhEX2Vm5I1Iu6Um9npNrFh6_rri8xLoQ4SSbVdBGuu8ATFs-I3bR1oVF/s200/IMG_6413.JPG) |
tubing paint |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggD8l_Try3xXZlNP1dIfIPGccAtjEQNsvIZ-W2EXC8LIwxIZNAn-ROpnLqliH8v1vXMdqNGiklQM-gbJoIwdYj0ptm9ThKOyGengGEXjxsJPCQtnsmgr86qRdys7qIs-68UfzzTpnyxjsJ/s200/IMG_6414.JPG) |
test driving the paint |
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As a bonus, I mixed a little bit with some
Gum Arabic and a tiny bit of honey (which I read aids with paint flow), and made a half pan of watercolor. I tested it out in my sketchbook, using it to paint the half pan I made.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwrvjHrFDeMPGsx_CaLvLrsea4nEIK6ojivNQTpDfKLQI-GNWEkoHHhEB6IDSdLJRlpf7gnpLf-LQtlIzzq5uR2y9PM1EVS7Qn7hyDAKxfAqel-XJ48AOAFEEejG0wMG5GjeO9_kaLtxbW/s200/IMG_6429.JPG) |
pigment made into watercolor |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHnbXPgohy7KXS7YfIn5fBipAFqXIu2c22QUa5h-gZZ62TNu0CnFTL9wNw9l18RU5FuumshD4n__S8ytv-qFe2PBudc71sVV7LcwZnFxesgJIrYQXin03RWy0NQj-ihjpU7e_QaxmSoJ3U/s200/IMG_6430.JPG) |
test driving the watercolor in my sketchbook |